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It's the End of the World, by God ...

Or by Asteroid, or Famine, or Flood

Week of August 26, 2002

 

            “Why aren’t you using this telescope to search for asteroids?  Don’t you know that near-earth asteroids are the biggest threat to the survival of everything, including us, on this planet?” –

            Question at an American Astronomical Society meeting in Albuquerque, New Mexico, earlier this year

 

            It looks like the end is “in.”  A recent Time magazine cover story featured a variety of religious teachings on the Apocalypse, which Newsweek followed with a cover piece on why people want to go to heaven.  The year’s biggest book may turn out to be the tenth installment of the “Left Behind” series, a novelized take on the Biblical rapture; book nine was the best selling novel of 2001.

            Then there are asteroid scares, no doubt the cause of sleepless nights for the man in Albuquerque.  An asteroid the size of a soccer field came within a third of the distance to the moon in June, which could have struck at noon.  (Sorry.  My inner poet slipped out.)  In July, British astronomers predicted a mile-wide asteroid could strike the earth on February 1, 2019, snuffing any dinosaurs missed by the last big rock. 

            NASA debunked that, but “cannot yet completely rule out an impact possibility on February 1, 2060.”  This should not be a problem, as a United Nations report released in advance of the Earth Summit now in progress in South Africa claims half of us will be running short of water before then anyway.  The rest of its predictions read like Paul Ehrlich’s 1968 scare-fare standard “The Population Bomb,” which promised starving Americans dying in the streets by the mid-1970s. 

            The most original approach may be that of the Atlanta Journal-Constitution.  In a feature reprinted across the country, the paper turned to a panel of experts to rate various doomsday movie plots according to their probability of occurring.  I am not sure how one becomes a doomsday expert, but those chosen gave top marks to “Soylent Green” and “Waterworld.”

            “Soylent Green” portrays a planet ravaged by hunger, which ends after the sudden appearance of a new food supply.  The source is, well, let’s just say Hannibal Lecter would approve. 

            There is plenty of disagreement on the likelihood of worldwide food shortages, with doubters citing the tendency of birthrates to drop and agricultural efficiency to rise as societies industrialize.  In 1998, Dr. Amartyo Sen of India won the Nobel Memorial Prize in Economic Sciences for showing that famines result not from a lack of food but inefficient distribution systems and machinations by governments that can isolate themselves from the effects.  This, he posits, is why famines rarely occur in democracies. 

            The selection of “Waterworld” is ironic.  The film shows all but one spit of land covered by hundreds of feet of water, courtesy of global warming.  In reality you could melt every ice cube on the planet and not raise the ocean by more than a few feet.  The only way such a fate would be possible is by divine intervention, a la Noah, which the Big Guy has promised not to do again. 

            Enter irony:  “Rapture,” a Bible-based account of the last times, tied for the movie least likely to come true. 

            Throughout the doomsday debate runs a strong theme of separating the quest for scientific knowledge from religious understanding.  To the contrary, both should be about truth, and, eventually, wind up in the same place.  When they seek anything else, if science becomes captive to social agendas or religion to popular culture, they lose their credibility and mission.

            Besides, we’re all going to die whether the world ends with us or not.  Perhaps a little time would be better spent pondering what comes then.

 

 

 
 

 

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© 2002 Brent Morrison